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excuse? Perhaps the answer lies in one of this film's entirely old-school Bond moments,[link widoczny dla zalogowanych], involving a striking, morally ambiguous damsel-in-distress. Séverine (Bérénice Marlohe) seems sexy and dangerous—but Bond deduces that she is in fact a sex-slave who has been brutalized since her early teens, and that she is in fear for her life. The short conversation between Craig and Marlohe is perhaps the most realized sequence of the movie: The actress conveys both terror and vulnerability, and Craig comes across as concerned, competent, and empathetic.But then, of course, Bond slips into the room of this sexually traumatized woman and casually screws her. Shortly thereafter, she is brutally murdered in front of him; his only reaction is a callous joke. I guess you could argue that Bond was putting up a tough façade—but there's little evidence for that in the film, which utterly forgets her existence and her trauma the instant they have served their purpose. Séverine is just a body and